Salva Me, and How to Write Gay Regency Vampires

Dear Readers:

Come visit with Autumn Montague and her Regency, living vampires.

Salva Me

Autumn Montange says: Yes, I will give away a book to anyone who leaves a comment.

 

Blood Sworn: Salva Me blurb:

 

England, 1816. A nosferatu, a rogue vampire, hunts unchecked through Sussex. Jeremy Takeshi Colbourne is honor-bound by ancestral duty to find and destroy such madmen. Foremost among the vampires of England, he must find a way to ensure the safety of the English citizens and the Nosferii that live among them. Then Jeremy and his blood-host Morgan Holland discover a brutally savaged girl. With this latest victim of the nosferatu, Jeremy realizes the time has come to make Morgan aware of the Colbourne responsibilities. But the situation could not have come at a worse time.

For years, Morgan has served as Jeremy’s blood-host. Though Morgan adheres faithfully to his Contracted terms, he refuses to surrender to the sexual seduction that completes each feeding. He yields neither his body nor his heart, though Jeremy yearns for both. As nosferatu’s atrocities grow, Jeremy must ask everything of Morgan to gain the strength needed to fight the ravening monster. Will Morgan relent and give up body and heart to help Jeremy defeat their enemy, or will the battle destroy them?

 

What does “salva me” mean?

“Salva me” is Latin for “save me” or “rescue me”.

 

What inspired you to write a story about living vampires?

Well, I’ve always been in love with the idea of vampires. They’re just cool. And thanks to Hollywood, they’ve become really sexy. There are vampires or vampire-type myths in almost every culture, though they don’t always look like the ones we’ve become used to. When I started thinking about writing my own vampires, I wondered what if…vampires were actually a type of human, like vampire bats are a type of bat? There are plenty of species that live on blood, so why not humans? And I went from there. Besides, sexy undead vampires, even glittering ones, have kind of been done to death. Pun intended, haha.

 

What’s the science behind your living vampires? And tell us about the minore too!

Umm, how much science should I give? I went pretty deep here, relying on some tricky biology (that I might not have gotten right – I’m not a viral biologist). But in a nutshell, I built on the idea of compressed evolution over something like 20,000 years, centered on an isolated population almost decimated by a hemorrhagic fever. The survivors passed on multiple dominant genetic mutations that created the ultimate ‘vampire’ human. I tried to apply biology to the typical vampire tropes, giving them a bit o a twist. My vampires are not immortal; they do live longer than normal humans, around 5 to 6 centuries, but they do age, and they do die. Their extended life span comes from a faster cellular regeneration from a more efficient caloric process. They have greater strength than normal humans, which comes from enhanced blood flow and higher oxygenation across their muscle fibers. I kept the sexual attraction (hey, it’s erotic romance!), using the idea of enhanced sexual pheromones for safety – hey, if your prey lusts after you, there’s less chance for injury, right? Instead of fixed, longer than normal canine teeth, my vampires have retractable fangs like a snake for an in and out strike and no broken teeth (fangs don’t grow back.) To prevent the blood host from feeling pain, they have developed an anesthetic saliva. To keep the host from bleeding to death, they have evolved clotting agents – gotta keep your food source alive to breed successive generations, and civilized nosfera no longer consider their blood hosts as mere food sources. And finally, for self-defense, they have developed venom – actually, a really nasty, highly toxic bacterial goo (think Komodo dragon spit on super steroids) brewed up in a pouch like a second stomach.

The minore are basically minor vampires (nosfera minore). They are normal humans who have been turned after being bitten by a rogue vampire, or nosferatu, and only done to save a life. Unlike the traditional vampire stories, where the newly turned vampire has all the skills and physical attributes of a full vampire, a minore is essentially a normal human who has been infected by the mutated virus. It takes decades before they grow fangs or develop the specialized saliva. They never develop the venom, and while their lives are extended, its only to about half that of a full nosfera.

 

Why did you decide to write a Regency, gay, living vampire, erotic romance?

t started as a joke. Don’t you remember, Emily? My alter ego writes straight Regency, and we had been joking about me taking a walk on the wild side. I think that was about when Twilight first hit the shelves. And I said, “Maybe I should write a gay Regency vampire romance!” and you said “Go for it!” So it’s all your fault.

 

On a serious note, though, I decided to try my hand at gay romance after helping plot a number of gay romances, and reading countless yaoi manga. But when I actually started, I felt it would be best to stick to something comfortable. That meant Regency, at least for the time being. Stepping out of my comfort zone was probably the hardest thing I’ve ever done, but it was worth it. The vampire stuff, though, was strictly a rebellion against the time-worn vampire of yore. I wanted something different, so since I couldn’t find it, I wrote it.

 

Where did you do your research for the Latin and Japanese phrases found in Blood Sworn: Salva Me?

Google Translate (not always the best source when used alone), which I cross-referenced with several other sites. At the moment, I’m enhancing my Japanese with Rosetta Stone.

 

Many authors have a story behind their pen name. Do you? If so, tell us!

My pen name is an anglicized version of a Japanese name I chose, Akiko Aoyama, which means Autumn’s Child of the Blue Mountain. Essentially, it means I came to enjoy reading and writing gay romance in the autumn of my life. And no, I won’t tell you how old I am. That’s for your readers to guess!

 

What advice would you give to people who want to write fantasy?

The sky is the limit, because you make the rules. YOU are God for your mini-verse. But you must remember to keep your rules consistent. Just because you’re God, doesn’t mean you can break your own rules with impunity. Your readers will know, and hold you accountable.

 

What advice would you give to people who want to write gay romance?

Don’t be afraid! My biggest fear was writing male characters that were women disguised as men. To avoid it, I read gay romance written by men and women, researched the differences in behavior by reading a variety of social media, and generally wrote flat characters that didn’t interact until I threw caution to the wind and just wrote. The characters came alive after that. Hopefully I didn’t miss my mark!

 

Excerpt from Blood Sworn: Salva Me:

Blood. Sweet, sweet blood thickened with terror. The girl in his arms fought with weakening desperation, her life rushing away through the crimson tide pulsing from her with each frantic beat of her heart. Intoxicating copper heat coursed across his lips, suffusing him with its nourishing power.

Her moans grew fainter as his poison saturated her body. The exquisite torture of emptying his venom flooded his muscles with godlike power, and he tightened his hold, crushing her fragile, merely human form against him. Her gasp of pain drove a spike of lusty pleasure through him. He released her neck to watch her blood flood across her shoulders to stain her flimsy gown.

A waste perhaps, but he could find another. The silent, horrified plea in her dulling eyes spurred his lust, and he ripped the sodden dress open to bare her cotton stays. A hand batted feebly, a near-unconscious impulse to protect her vanished modesty.

Little whore. She’d no need for modesty with him. He had no interest in her person, not yet. Not until she was at the brink. Then he’d spread her legs and revel in her death throes.

Yes. Yes, that peak of ecstasy neared, her glazed eyes beginning to fade. She drew a hitching breath, and he dropped her limp body to the mud, reaching for the fastenings to his breeches.

The clatter of hooves and creak of heavy wheels broke his concentration, his anticipated pleasure vanishing.

Damn! With a frantic bound, he hurled himself into the velvet black shadow of the alley behind him. Frustrated desire boiled through him as he watched the carriage lurch to a halt. A murderous rage rose, urging him to attack the interlopers. He attempted to quash it, but the slavering beast of his hunger did not want to be assuaged. The girl was his rightful prey, and he would be damned if he would allow mere humans to drive him off. He readied himself, prepared to lunge when the correct moment presented.

The tiniest of breezes stirred the air as the passengers descended from the barouche. It carried the oh-so-faint scent of the intruders, driving him back into the shadows.

“Imbecile!” The word escaped him in a hiss. He peered around, forcing his eyes to see, his ears to hear. As if a veil had been drawn back, he realized he stood almost in the heart of London. How had he followed the girl so far without recognizing his danger?

At least one of the men in the carriage knew him by sight and scent. Worse, if they were to meet, his enemy was duty-bound to kill him without hesitation. He twitched, annoyed, uncertain—wanting his prize but unwilling to face his opponent at this moment.

His hunger stilled, replaced by an urgent need to flee. Later. The time would come, but that time was not now. With a last look at the shuddering girl behind him, he forced more venom to his muscles and shivered in delight as he fled into the night.

* * * *

Morgan Holland clenched his teeth against an impious curse as the carriage lurched to an unexpected halt, knocking his skull against the lacquered wooden panel behind his head. Inertial momentum pitched his companion face forward against the opposite seat with bruising abruptness. Morgan gave the trap door over his head a savage thump with his fist, even as he reached to help the Baron of Colbourne up off the floor.

“Blast it all, I’m fine, Holland,” Colbourne barked.

Morgan smothered a grin at his master’s temper over his bruised dignity. He gestured at the gaping tear across the knee of Colbourne’s superfine trousers. “Perhaps we should return home for a change of clothes before we continue to White’s.”

Colbourne scowled. “Damn. Weston just delivered these this week. I’ll have to commission a new pair.”

“As you say, my lord.” Amusement warred with Morgan’s ringing head as he fought to keep a smirk off his face. Colbourne’s penchant for fine clothes had been a constant source of humor between them.

“Don’t be smug, Holland. Just because you managed to maintain your seat is no reason for a swelled head.”

The dour tone proved too much, and a highly inappropriate snort evaded Morgan’s control. Jeremy Takeshi Yamakawa Colbourne, Fifth Baron of Colbourne, took great pains to appear neat and elegant for any evening revelry. Since his Japanese ancestry drew the derision of his peers, he always maintained a flawless nobleman’s appearance. Morgan felt privileged to be among those few who could jest about the habit without giving offense. Moreover, the unique circumstances of Morgan’s employment had built a bond between them, a bond closer to friendship than master and servant.

A sharp rap at the window halted Colbourne’s next salvo even as he drew breath for the words, undoubtedly to cast unmeant aspersions on Morgan’s ancestry. The words died at the sound of their driver’s frantic rap on the door.

It seemed the difficulty interrupting them was more than a mere rut in the road.

“This needs your attention, my lord,” Toby quavered, fear plain in his voice.

Morgan felt a chill worm its way down his spine, a chill having nothing to do with the damp air outside the carriage door. Colbourne’s handsome face tightened, his grave expression igniting an answering spark of alarm in Morgan. He followed his master into the dank night, and nearly choked.

“Plague of the ages!” Colbourne’s biting exclamation did not quite carry the weight of a bellow, but it might as well have been a shout.

The night air carried a familiar coppery tang, laced with the faint odor of bile. Morgan knew the smell, of tainted blood and death. When he’d first met Colbourne, the man had been covered in the same bloody aroma. Morgan could not see this poor soul, not yet, but the smell left no doubt.

Nosferatu.” He’d never encountered one, only read in books what they were, what they did. Read, and seen what had happened to his master, the Baron of Colbourne, one of the preeminent nosferii nobles in England. Or anywhere else. The last nosferatu to hunt here had almost cost the country its most needed protector.

Colbourne cast a keen glance his way but said nothing, just stepped around the corner of the carriage for a look at what had bollixed their plans for the evening. Morgan followed, suppressing the urge to gag at the foulness of the air. He tried to keep his strides casual, as though he were walking into yet another evening entertainment, not around the carriage corner for a look at a shredded human being.

Colbourne quirked an eyebrow at Morgan’s calm facade. “No one would think twelve years ago you were a mere tenant farmer, untutored in such things.”

“Even a farmer faces death, my lord.” A true enough statement. After all, Morgan had tended to enough carrion when he was younger: dead livestock, headless chickens after foxes raided the coops. Yet none of his experience prepared him for the putrid aroma hovering over the slumped form in the road. The rank odor was fouler than the oldest carcass he’d ever cleared from his fields. With reluctance, he turned his full attention on the unfortunate victim.

“God!” The exclamation burst from him at the appalling sight that met his eyes.

The brown dirt of the road had turned to mud, glistening with the darkness of spilled blood. A young woman lay trembling in that crimson sludge, her neck savaged and raw. The gaping wounds reeked from the pungent slime coating them.

“Well, she lives, Morgan.” Colbourne sighed, as though the fact was unworthy of celebration. “At least for the present.”

“For the present? Is there nothing to be done?” Morgan could not tear his eyes from the girl. She couldn’t have seen more than sixteen, eighteen years at best.

“From the smell of things, the abomination emptied his venom into her.” Colbourne knelt in the mud, oblivious now to his appearance. “See?” He pointed to the ragged edges of the wounds on the girl’s neck. “There are multiple bites here, some more recent than others.” He laid a gentle, gloved finger near the deepest one. “This bite is hours old, and she is nearly exsanguinated. I am amazed she can still draw breath.”

“Is it too late for a turning?”

That caught Colbourne’s attention. His master stood, searching Morgan’s face for something. Then he sighed, perhaps finding no answer to what he sought.

“It is far too late. At this point, all we can do is ease her passing by treating the wound and dosing her liberally with laudanum. I doubt she’ll notice, but it should be done nonetheless.” He gave Morgan another cryptic glance. “I suppose it’s time to introduce you to the real meaning behind the existence of the Colbourne title. I’ll call you to my study after I have fed. In the meantime, you might want to do some research into turnings. The library has plenty of material for your reading.”

Research? Morgan felt the faintest flush of embarrassment warm his neck. It seemed he’d touched on a sensitive topic. He turned to the coachman. “Toby, get the lap blanket.” He considered for a moment. “And your long coat.” Between the blood, the sodden clothing, and the general mess, two layers should provide both warmth for the young woman and protection for the carriage.

Toby returned, and Morgan watched as Colbourne bundled the girl tightly in the coat, wrapping her head to toe in the blanket. When he lifted the fragile burden, Morgan attempted to assist him, only to receive a flat denial.

“This slime will eat through your hide,” Colbourne reminded. “Don’t forget your teachings, Holland.”

Morgan stepped back, feeling the Compulsion his master laid behind the words. He suppressed a sigh. When Colbourne used such a trick, it usually meant unpleasant instruction ahead.

They rode home at a rapid clip, carriage swaying on its springs at Toby’s urgent pace. Morgan could see the lax bundle in his master’s lap out of the corner of his eye, though he did his utmost not to stare. He focused instead on the adorning crest of the panel immediately behind Colbourne’s head, little good though it did him. Every time he relaxed his control, his eyes flew inexorably to the doomed girl. At some point, he glanced down again and discovered her hitching breaths had ceased.

Colbourne’s dark eyes were shuttered. Even in the dimness of their carriage, distress showed in the line between his brows and the bunched muscles of his jaw. Morgan reached across the gap separating them, called to soothe his master’s pain. Dark lashes lifted, revealing Colbourne’s grief at his failure.

Tonight’s enjoyments were meant to be a prelude in advance of Colbourne’s Contracted feeding; a bit of casual camaraderie to make amends for the awkward strain that had recently come between them. With this appalling discovery, the emotional toll on them both could hinder the process. Worse still, it might encourage Colbourne to postpone the feeding.

A tinge of red outlined those dark eyes. “Don’t worry, Holland. I’ll have myself under control by the appointed time.”

“I am certain you will, my lord,” Morgan answered, keeping his voice level. “I worry more for my control than for yours.”

A wistful smile touched Colbourne’s lips. “Your iron will? It will never waver, regardless of my desires.” The smile vanished. “Nonetheless, we will bury this poor child before we begin, Holland. I owe her that much, at least.”

One thought on “Salva Me, and How to Write Gay Regency Vampires

  1. Pingback: An Interview by Emily Carrington | Autumn Montague: Lessons in Desire

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